This reference explains the content, purpose, techniques, and practice strategies associated with Simon Fischer’s work on double stops for violin/viola (commonly found in his Etudes and Technique books). It assumes you’re using Fischer-style exercises or an arrangement explicitly titled “Double Stops” and gives practical, technical, and musical guidance for effective study.
Play them as a broken chord (lower, then upper, then together). Step 2: The "Silent Finger" Exercise
If your double stop is slightly out of tune, this lower tone beats wildly or disappears. Tuning to these resultant tones ensures perfect acoustic resonance. Step-by-Step Practice Method simon fischer double stops pdf
Play one note as a continuous, sustained tone (a drone) while shifting or placing the other finger. This allows your ears to clearly hear the changing interval (e.g., moving from a third to a fourth) against a stable pitch, making it much easier to identify exactly when a note goes sharp or flat. Step 3: Silent Finger Placement
The Simon Fischer Double Stops PDF is a valuable resource for string players seeking to improve their technical and musical skills. By following Fischer's systematic approach, players can develop a strong foundation in double stops and enhance their overall musicianship. Whether you're a student, teacher, or professional musician, this resource can help you take your playing to the next level. Step 2: The "Silent Finger" Exercise If your
Accessible intermediate studies featuring basic double stops.
: A single scale in thirds might be preceded by 19 preparatory exercises, with the full scale only appearing as the 20th step. This allows your ears to clearly hear the
If a double stop is out of tune, practicing both notes together rarely fixes the root issue. Fischer suggests several isolation patterns:
Fischer is a strong proponent of using "difference tones" (or Tartini tones) to tune double stops, particularly thirds, sixths, and octaves.